En
  • دکتری (1385)

    پژوهش هنر

    دانشگاه تربیت مدرس،

  • کارشناسی‌ارشد (1376)

    سینما

    دانشگاه هنر تهران،

  • کارشناسی (1372)

    سینما

    دانشگاه هنر تهران،

  • 1 مطالعات میان رشته ای تئوری فیلم و علوم انسانی(فلسفه،جامعه شناسی و روان شناسی)؛ 2جامعه شناسی هنر

    عضو هیات علمی در گروه سینما هستم و به آموزش و پژوهش در سینما به صورت میان رشته ای با علوم انسانی به ویژه فلسفه ، جامعه شناسی و روانشناسی علاقه دارم.عناوین و محتوای متنوع مقالاتی که مشترک با دیگران نوشته ام ،نشانگر چنین تمایلی است. در سال های اخیر، به جای شناخت متعارف از زیبایی شناسی فیلم های رایج ، به ترکیب خلاقانه سینما با سایر هنرها در ارتباطات رسانه ای تمرکز داشته ام .

    ارتباط

    رزومه

    A Comparative Literary Criticism of Avicenna's Hayy ibn Yaqdhan and Tolkien's The Hobbit

    فاطمه حسینی الهاشمی, سید مصطفی مختاباد امرئی, علی شیخ مهدی‎
    Journal Papers , , {Pages }

    Abstract

    A Comparative Literary Criticism of Avicenna's Hayy ibn Yaqdhan and Tolkien's The Hobbit

    F Hoseini Alhashemi, SM Mokhtabad Amreie, A Sheikhmehdi
    Journal Papers , , {Pages }

    Abstract

    تطبیق ادبی رساله زنده بیدار اثر ابن‌سینا با رمان هابیت تالکین‎

    حسینی الهاشمی, مختاباد امرئی, شیخ مهدی‎
    Journal Papers , , {Pages }

    Abstract

    Adaptation of the understanding of the text, based on Gadamer's theory with Linda Hutchen's postmodernism theory

    رضا برآبادی, علی شیخ مهدی‎
    Journal Papers , , {Pages }

    Abstract

    overall Analysis of Factors Affecting the Cinematic Representation of the Role of Lawyers in Post-Islamic Revolutionary Criminal Procedures (1982-2016)

    M Ganjalishahi, M Farajiha, A SheikhMehdi
    Journal Papers , , {Pages }

    Abstract

    تطبیق فهم از متن، بر اساس نظریه گادامر با نظریه پست مدرنیسم در باب اقتباس لیندا هاچن‎

    برآبادی, شیخ مهدی‎
    Journal Papers , , {Pages }

    Abstract

    Critical Analysis of “A Short Guide to Writing about Film”

    Ali Sheikhmehdi, Arsalan Moghadas
    Journal PapersCritical Studies in Texts & Programs of Human Sciences , Volume 20 , Issue 2, 2020 April 20, {Pages 169-185 }

    Abstract

    The book, A Short Guide to Writing about Film, is a description of how to analyze movies, and closely linked to thinking about film and writing about it. To achieve this goal, the author focuses on defining the terminology and professional concepts of cinema and movie analysis approaches. For analysis and critique, it is necessary to have theoretical plan for analyzing; but the described approaches in this book, are not the main movie analysis approaches, and for instance, approaches like formalism and ideology lack a theoretical basis; especially in this book, formalism is considered the same as structuralism.

    Review of Understand Film Studies

    Ali Sheikhmehdi, Arsalan Moghadas
    Journal PapersCritical Studies in Texts & Programs of Human Sciences , Volume 20 , Issue 6, 2020 August 22, {Pages 165-184 }

    Abstract

    The book Understand Film Studies, aims to equip its reader with necessary concepts for film critique; in this regard the author describes the definitions of aesthetic and film structure, film genres and documentary, and by giving examples and expressing the basic concepts of each one, clarify the topics. But the ten approaches mentioned in the book, do not have precision and comprehensiveness enough for film analysis. The emphasis on Hollywood films and special privilege on director as auteur, palliate the up to date content of the book, despite the subsequent text-based analysis.

    From commitment to expressionism: a survey on the changing concept of photography in Iran

    Hadi Azari Azqandi, Asghar Fahimifar, Ali Sheikhmehdi
    Journal PapersVisual Studies , 2020 October 12, {Pages 12-Jan }

    Abstract

    This paper examines the evolution of the concept of photography in Iran during the two decades following the 1979 Islamic revolution and its relationship to a changing political discourse during that period. Since the state became a dominant player in culture and the arts during the post-Islamic revolutionary era, this paper puts the evolution of the concept of photography into a socio-political context. Using Discursive Institutionalism as a theoretical framework, we examine Iranian photographers’ ideas on photography as well as the discourses that affected photography organisations, revealing the forces driving changes in how photographic work was conceived. The first decade following 1979 the Islamic revolution was marked by eight year

    Relationship between Aesthetics of Image and Ecological Awareness among Theorists of Ecocinema

    Vahid Shamshirian, Reza Afhami, Ali Sheikhmehdi
    Journal PapersHonar--Ha-Ye-Ziba: Honar-Ha-Ye-Namayeshi Va Mosighi , Volume 25 , Issue 3, 2020 November 21, {Pages 15-24 }

    Abstract

    Nowadays, the concept of sustainable development is progressively considered in all contemporary activities, including art and has been featured in the cinema since2004 with introduction of the term "Ecocinema" as a field of study. Earlier, film criticism and analysis of the ecological issues was limited to the scattered studies of critics such as Wilson, Armstrong, Seibert, Mitman, and Bous? with the focus on wildlife documentaries. But from this year, and within a short time, all kinds of cinematic genres, from fictional to documentary and experimental films have attracted the attention of critics. Similarly, many researchers from the humanities and social sciences have focused on ecological issues in cinema studies. As we see nowadays th

    رابطه زیبایی شناسی تصویر با آگاهی زیست محیطی از منظر نظریه پردازان اکوسینما‎

    شمشیریان, وحید, افهمی, شیخ مهدی‎
    Journal Papers , , {Pages }

    Abstract

    بررسی و نقد کتاب آشنایی با مبانی سینما و نقد فیلم‎

    شیخ مهدی, مقدس, ارسلان‎
    Journal Papers , , {Pages }

    Abstract

    Review of Understand Film Studies

    علی شیخ مهدی, ارسلان مقدس‎
    Journal Papers , , {Pages }

    Abstract

    A Psychoanalytical Reading of Hegemonic Relations between Men and Women in Asghar Farhadis Le Passe (2013)

    N Honarkhah, A Sheikhmehdi
    Journal Papers , , {Pages }

    Abstract

    خوانشی روانکاوانه از روابط سلطه بین زنان و مردان در فیلم گذشته (1392) ساخته اصغر فرهادی‎

    هنرخواه, نازنین, شیخ مهدی‎
    Journal Papers , , {Pages }

    Abstract

    تحلیل انتقادی کتاب راهنمای نگارش تحلیل فیلم‎

    شیخ مهدی, مقدس, ارسلان‎
    Journal Papers , , {Pages }

    Abstract

    Critical Analysis of “A Short Guide to Writing about Film”

    علی شیخ مهدی, ارسلان مقدس‎
    Journal Papers , , {Pages }

    Abstract

    overall Analysis of Factors Affecting the Cinematic Representation of the Role of Lawyers in Post-Islamic Revolutionary Criminal Procedures (1982-2016)

    محمد گنج علیشاهی, محمد فرجیها, علی شیخ مهدی‎
    Journal Papers , , {Pages }

    Abstract

    Philosophical Approach to Causality Principle in Postmodern Cinematic Narrative (A Study of Taste of Cherry)

    Asghar Fahimi Far, Ali Sheikhmehdi, Asadollah Gholamali
    Journal PapersQuarterly Scientific Journal of Audio-Visual Media , Volume 12 , Issue 28, 2019 February 20, {Pages 53-70 }

    Abstract

    Causality is a significant concern to humankind and also a fundamental philosophic concept. Western philosophers whose ideas are discussed in this research, studied cause-effect relationship from different point of views. Cinematic narrative is a combination of causality ,time and space system. In classic narrative which are typically in Hollywood films, causality is the most important element that guarantee the coherence and unity of a plot. Since the causality in Aristotle's philosophical tradition was essential, the cause-effect relationship in classic cinematic narrative is also based on the principle of necessity. Cause-effect relationship in postmodern cinematic narrative is accidental. It seems that variation in cause-effect relation

    A Critical Book Review of Making a Good Script Great

    Ali Sheikhmehdi, Arsalan Moghadas
    Journal PapersCritical Studies in Texts & Programs of Human Sciences , Volume 19 , Issue 5, 2019 July 23, {Pages 117-136 }

    Abstract

    The book “Making a Good Script Great”?aims to help its readers develop their skills to express a dramatic story. In this regard, the author, by explaining story structure based on the three-act structure, turning points, climax, and creating characters, introduces the reader the fundamental issues of rewriting the script. But, the author’s main intention is commercially oriented. . Her evaluation system is purely based on selling movies and Hollywood. Besides, reviewing American cinema is not seen in the book. Reducing the whole world of cinema to the Hollywood, putting the three-act structure as the basis, and the ignorance of any other alternative structures in all affairs of script, are considered content problems of the book.

    /pro/academic_staff/alisheikhmehdi/publication

    دروس نیمسال جاری

    • كارشناسي ارشد
      تاريخ سينماي ايران ( واحد)
      دانشکده هنر، گروه انيميشن و سينما
    • كارشناسي ارشد
      تاريخ سينماي ايران ( واحد)
    • كارشناسي ارشد
      جامعه شناسي سينما ( واحد)
    • كارشناسي ارشد
      جامعه شناسي سينما ( واحد)

    دروس نیمسال قبل

    • كارشناسي ارشد
      تحول بيان سينمايي ( واحد)
      دانشکده هنر، گروه انيميشن و سينما
    • كارشناسي ارشد
      اخلاق اسلامي در سينما ( واحد)
    • كارشناسي ارشد
      اخلاق اسلامي در سينما ( واحد)
    • كارشناسي ارشد
      مباني نقد و تحليل فيلم ( واحد)
    • كارشناسي ارشد
      مباني نقد و تحليل فيلم ( واحد)
    • كارشناسي ارشد
      كارگاه فيلم سازي پيشرفته (1) ( واحد)
    • كارشناسي ارشد
      كارگاه فيلم سازي پيشرفته (1) ( واحد)
    • مدیر گروه انیمیشن و سینما(1391-1386)
      داده ای یافت نشد

    مهم

    جدید

      اطلاعیه ای درج نشده است